Author Spotlight

Adrian Martin

Adrian Martin is a film critic and audiovisual essayist living in Spain. His most recent book is Mise en scène and Film Style (Palgrave, 2014).

5 Results

L’argent: The Weight of the World
L’argent: The Weight of the World

A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.

By Adrian Martin

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A River Called Titas: River of No Return
A River Called Titas: River of No Return

A beloved filmmaker in India, the Bengali director Ritwik Ghatak digs into his region’s traumatic history in this epic melodrama.

By Adrian Martin

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Days of Heaven: On Earth as It Is in Heaven

Like many American directors who emerged in the early 1970s, Terrence Malick went to film school—to the American Film Institute, where, indeed, his fellow students included Paul Schrader and David Lynch. But unlike many film school graduates, Malic

By Adrian Martin

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Cléo from 5 to 7: Passionate Time

There have been many films, from Alfred Hitchcock’s Rope (1948) to Alexander Sokurov’s Russian Ark (2002), devoted to the challenge of capturing or reconstituting the experience of “real time.” Agnès Varda’s 1961 Cléo from 5 to 7—an acc

By Adrian Martin

Masculin féminin: The Young Man for All Times
Masculin féminin: The Young Man for All Times

In one of the great films of the sixties, Jean-Luc Godard takes an irreverent look at the “children of Marx and Coca-Cola,” carried along by the first great tidal wave of pop culture consumption.

By Adrian Martin

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