Adrian Martin

Luis Buñuel weaved together multiple strands of his artistry in his final film, which blends the surrealism of his early years, the melodrama of his 1950s work, and the elegant erotic comedy of his late career.

Crazy things keep happening in Luis Buñuel’s perverse comedy of manners, a film that coolly deconstructs itself at every turn.

With a mixture of intuition, craft, and an endless curiosity about how cinema can be used to shock and provoke, the Spanish master left us with a rich body of work that stands as a testament to the power of surrealism.

A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.

A beloved filmmaker in India, the Bengali director Ritwik Ghatak digs into his region’s traumatic history in this epic melodrama.

Like many American directors who emerged in the early 1970s, Terrence Malick went to film school—to the American Film Institute, where, indeed, his fellow students included Paul Schrader and David Lynch. But unlike many film school graduates, Malic

There have been many films, from Alfred Hitchcock’s Rope (1948) to Alexander Sokurov’s Russian Ark (2002), devoted to the challenge of capturing or reconstituting the experience of “real time.” Agnès Varda’s 1961 Cléo from 5 to 7—an acc

In one of the great films of the sixties, Jean-Luc Godard takes an irreverent look at the “children of Marx and Coca-Cola,” carried along by the first great tidal wave of pop culture consumption.