Two-Lane Blacktop: Slow Ride
By January 08, 2013
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Drag racing east from Los Angeles in a souped-up ’55 Chevy are the wayward Driver and Mechanic (singer-songwriter James Taylor and the Beach Boys’ Dennis Wilson, in their only acting roles), accompanied by a tagalong Girl (Laurie Bird). Along the way, they meet Warren Oates’s Pontiac GTO–driving wanderer and challenge him to a cross-country race. The prize: their cars’ pink slips. But no summary can do justice to the existential punch of Two-Lane Blacktop. With its gorgeous widescreen compositions and sophisticated look at American male obsession, this stripped-down narrative from maverick director Monte Hellman is one of the artistic high points of 1970s cinema, and possibly the greatest road movie ever made.
| The Driver | James Taylor |
| GTO | Warren Oates |
| The Girl | Laurie Bird |
| The Mechanic | Dennis Wilson |
| Hot rod driver | Rudolph Wurlitzer |
| Driver’s girl | Jaclyn Hellman |
| Texas hitchhiker | Bill Keller |
| Oklahoma hitchhiker | H. D. Stanton |
| Man in roadhouse | Alan Vint |
| Driver at accident | George Mitchell |
| Tennessee hitchhiker | A. J. Solari |
| Old woman | Katherine Squire |
| Child | Melissa Hellman |
| Last kid at accident | Jared Hellman |
| The Car | 1955 Chevrolet |
| The GTO | 1970 Pontiac |
| Director | Monte Hellman |
| Produced by | Michael S. Laughlin |
| Screenplay | Rudolph Wurlitzer and Will Corry |
| Story | Will Corry |
| Associate producer | Gary Kurtz |
| Photographic adviser | Gregory Sandor |
| Assistant camera | John Bailey |
| Film editor | Monte Hellman |
| Unit production manager | Walter Coblenz |
| Assistant director | Ken Swor |
| Costumes | Richard Bruno |
| Production sound | Charles Knight |
| Music supervisor | Billy James |
| Custom auto design and construction | Richard Ruth, William Kincheloe and H. Alan Deglin |
DIRECTOR-APPROVED SPECIAL EDITION
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The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy . . . Read more »
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By January 08, 2013
The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy . . . Read more »
By January 08, 2013
The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy . . . Read more »
By January 08, 2013
01 Because it’s the purest American road movie ever. 02 Because it’s like a drive-in movie . . . Read more »
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