Repertory Pick: Prime Rohmer
March 28, 2013
In the brilliantly accomplished centerpiece of Rohmer’s “Moral Tales” series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of sixties cinema. A pious Catholic engineer in his early thirties, he lives by a strict moral code in order to rationalize his world, drowning himself in mathematics and the philosophy of Pascal. After spotting the delicate, blonde Françoise at Mass, he vows to make her his wife, although when he unwittingly spends the night at the apartment of the bold, brunette divorcée Maud, his rigid ethical standards are challenged. A breakout hit in the United States, My Night at Maud’s was one of the most influential and talked-about films of the decade.
| Jean-Louis | Jean-Louis Trintignant |
| Françoise | Marie-Christine Barrault |
| Maud | Françoise Fabian |
| Vidal | Antoine Vitez |
| Director | Eric Rohmer |
| Producer | Barbet Schroeder and Pierre Cottrell |
| Cinematography | Nestor Almendros, Emmanuel Machuel, Jean-Claude Gasché and Philippe Rousselot |
| Sound | Jean-Pierre Ruh, Jacques Maumont and Alain Sempé |
| Set decoration | Nicole Rachline |
| Editing | Cécile Decugis and Christine Lecouvette |
| Production managers | Alfred de Graaff and Pierre Grimberg |
By August 14, 2006
“Some people think Rohmer is in league with the devil,” wrote cinematographer nestor almendros . . . Read more »
By August 14, 2006
“Some people think Rohmer is in league with the devil,” wrote cinematographer nestor almendros . . . Read more »
By August 14, 2006
“Some people think Rohmer is in league with the devil,” wrote cinematographer nestor almendros . . . Read more »