Salvatore Giuliano
By February 23, 2004
With Salvatore Giuliano (1961), Francesco Rosi developed the style and method that would make him, during the sixties and seventies, the greatest political filmmaker of his Read more »
SYNOPSIS: July 5, 1950—Sicilian bandit Salvatore Giuliano’s bullet-riddled corpse is found facedown in a courtyard in Castelvetrano, a handgun and rifle by his side. Local and international press descend upon the scene, hoping to crack open the true story behind the death of this young man, who, at the age of twenty-seven, had already become Italy’s most wanted criminal and celebrated hero. Filming in the exact locations and enlisting a cast of native Sicilians once impacted by the real Giuliano, director Francesco Rosi harnessed the facts and myths surrounding the true story of the bandit’s death to create a startling exposé of Sicily and the tangled relations between its citizens, the Mafia, and government officials. A groundbreaking work of political filmmaking, Salvatore Giuliano established Rosi’s reputation and assured his place in cinema history.
| President of the Court of Assize | Salvo Randone |
| Gaspare Pisciotta | Frank Wolff |
| Salvatore Giuliano | Pietro Cammarata |
| Reporter | Sennuccio Benelli |
| Minor Official | Giuseppe Calandra |
| Francesco | Max Cartier |
| Bandit | Fernando Cicero |
| Spy | Bruno Ukmar |
| Frank Mannino | Cosimo Torino |
| Pisciotta’s defense counsel | Federico Zardi |
| Residents of Castelvetrano, Montelepre, and Palermo, Sicily | Themselves |
| Director | Francesco Rosi |
| Producer | Franco Cristaldi |
| Screenplay | Francesco Rosi |
| In collaboration with | Suso Cecchi D'Amico, Enzo Provenzale and Franco Solinas |
| Director of photography | Gianni Di Venanzo |
| Production manager | Enzo Provenzale |
| Editing | Mario Serandrei |
| Music | Piero Piccioni |
| First assistant directors | Franco Indovina and Fernando Cicero |
| Second assistant director | Roberto Pariante |
| Camera operator | Pasquale De Santis |
| Additional camera | Tullio Kezich and Lina Wertmüller |
| Sound | Claudio Majelli |
| Production design | Sergio Canevari and Carlo Egidi |
| Costumes | Marilù Carteny |
| Production inspectors | Luciano Cattania, Aldo Pace and Bruno Sassaroli |
| Production secretary | Lamberto Pippia |
SPECIAL EDITION DOUBLE–DISC SET:
By February 23, 2004
With Salvatore Giuliano (1961), Francesco Rosi developed the style and method that would make him, during the sixties and seventies, the greatest political filmmaker of his Read more »
August 03, 2010
Director Francesco Rosi, whose intense, ripped-from-the-headlines films like Salvatore Giuliano and Hands over the City are benchmarks of Italian political cinema, will receive Read more »
By August 02, 2010
The great, beloved screenwriter Suso Cecchi D’Amico died this past weekend at the age of ninety-six. A longtime collaborator of Luchino Visconti’s (they’re Read more »