United States
1955
89 minutes
1.77:1
English
95
Jane Wyman is a repressed wealthy widow and Rock Hudson is the hunky Thoreau-following gardener who loves her in Douglas Sirk’s heartbreakingly beautiful indictment of 1950s small-town America. Sirk utilizes expressionist colors, reflective surfaces, and frames-within-frames to convey the loneliness and isolation of a matriarch trapped by the snobbery of her children and the gossip of her social-climbing country club chums. Criterion is proud to present this subversive Hollywood tearjerker in a special edition.
| Cary Scott | Jane Wyman |
| Ron Kirby | Rock Hudson |
| Sara Warren | Agnes Moorehead |
| Harvey | Conrad Nagel |
| Alida Anderson | Virginia Grey |
| Kay Scott | Gloria Talbot |
| Ned Scott | William Reynolds |
| Mick Anderson | Charles Drake |
| Dr. Hennessy | Hayden Rorke |
| Mona Plash | Jacqueline de Wit |
| Jo-Ann | Leigh Snowden |
| Howard Hoffer | Donald Curtis |
| George Warren | Alex Gerry |
| Manuel | Nestor Paiva |
| Mr. Weeks | Forrest Lewis |
| Tom Allenby | Tol Avery |
| Mary Ann | Merry Anders |
| Director | Douglas Sirk |
| Producer | Ross Hunter |
| Screenplay | Peg Fenwick |
| Based on the story by | Edna L. Lee and Harry Lee |
| Cinematography | Russell Metty |
| Art direction | Alexander Golitzen and Eric Orbom |
| Set decoration | Russell A. Gausman and Julia Heron |
| Editing | Frank Gross |
| Music | Frank Skinner |
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