SYNOPSIS: Called by Ken Russell “the greatest science-fiction film since Metropolis,” controversial director Paul Verhoeven’s RoboCop is a special effects-laden cult phenomenon. The film features a resurrected and roboticized hero (Peter Weller) in a new, supercharged cyborg body, struggling to reclaim his memory and avenge his own death. Written by Edward Neumeier and Michael Miner, this film is a grown-up superhero fantasy come to vivid, bloody life.
| Alex J. Murphy/RoboCop | Peter Weller |
| Anne Lewis | Nancy Allen |
| The Old Man | Dan O'Herilhy |
| Richard "Dick" Jones | Ronny Cox |
| Clarence J. Boddicker | Kurtwood Smith |
| Robert Morton | Miguel Ferrer |
| Sergeant Reed | Robert Doqui |
| Leon Nash | Ray Wise |
| Johnson | Felton Perry |
| Director | Paul Verhoeven |
| Screenplay | Edward Neumeier and Michael Miner |
| Editing | Frank J. Urioste and |
| Production design | Jost Vacano |
| Cinematography | William Sandell |
| Executive producer | Jon Davison |
| Music | Basil Poledouris |
| Robocop designed and created by | Rob Bottin |
| Costumes | Erica Edell Phillips |
| Special effects | Dale Martin, Craig Davies, Rob Bottin and Peter Ronzani |
By September 08, 1998
Tooled from spare hardware—the trunk and limbs of a forklift, the rubberized joints of a vacuum cleaner, and the brain of a police officer—Paul Verhoeven’s RoboCop character is a Terminator with the conscience of Read more »
