Ready for His Close-up
December 07, 2012
A riveting psychological thriller that investigates the nature of truth and the meaning of justice, Rashomon is widely considered one
of the greatest films ever made. Four people give different accounts of a man’s murder and the rape of his wife, which director Akira Kurosawa presents with striking imagery and an ingenious use of flashbacks. This eloquent masterwork and international sensation revolutionized film language and introduced Japanese cinema—and a commanding new star by the name of Toshiro Mifune—to the Western world.
| The bandit | Toshiro Mifune |
| The woman | Machiko Kyo |
| The man | Masayuki Mori |
| The woodcutter | Takashi Shimura |
| The priest | Minoru Chiaki |
| The commoner | Kichijiro Ueda |
| The medium | Fumiko Honma |
| The policeman | Daisuke Kato |
| Director | Akira Kurosawa |
| Executive producer | Masaichi Nagata |
| Producer | Jingo Minoura |
| Scenario | Akira Kurosawa and Shinobu Hashimoto |
| Based on two stories by | Ryunosuke Akutagawa |
| Photography | Kazuo Miyagawa |
| Art director | So Matsuyama |
| Music | Fumio Hayasaka |
| Lighting | Kenichi Okamoto |
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[Note: in Japan, it is customary to refer to a person with their last name first. We have . . . Read more »
By November 06, 2012
When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near . . . Read more »
By June 25, 1989
Three men seek shelter from the rain under the ruined gate of the ancient city of Kyoto. There . . . Read more »
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[Note: in Japan, it is customary to refer to a person with their last name first. We have . . . Read more »
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When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near . . . Read more »
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