Zéro de conduite: Pillow Talk
June 01, 2012
So effervescent and charming that one can easily forget its importance in film history, Jean Vigo’s enormously influential portrait of prankish boarding-school students is one of cinema’s great acts of rebellion. Based on the director’s own experiences as a youth, Zéro de conduite presents childhood as a time of unfettered imagination and brazen rule-flouting. It’s a sweet-natured vision of sabotage made vivid by dynamic visual experiments—including the famous, blissful slow-motion pillow fight.
| Huguet | Jean Dasté |
| Perrain (Old Tightass) | Robert Le Flon |
| General supervisor (Beanpole) | Blanchar, a.k.a. Du Verron |
| Headmaster | Delphin |
| M. Viot | Léon Larive |
| Ma Beans | Madame Émile |
| Government prefect | Louis de Gonzague-Frick |
| Caussat | Louis Lefebvre |
| Colin | Gilbert Pruchon |
| Bruel | Coco Golstein/Constantin Kelber |
| Tabard | Gérard de Bédarieux |
| Guardian | Louis Berger |
| Priest | Henri Storck |
| Director | Jean Vigo |
| Screenplay | Jean Vigo |
| Collaborators | Albert Riéra, Henri Storck and Pierre Merle |
| Sound | Royné–Bocquel |
| Director of photography | Boris Kaufman |
| Operator assistant | Louis Berger |
| Dialogue by | Charles Goldblatt |
| Music | Maurice Jaubert |
| Editing | Jean Vigo |
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