Ready for Her Close-up
June 04, 2012
In this cool, seductive jewel of the Japanese New Wave, a yakuza, fresh out of prison, becomes entangled with a beautiful and enigmatic gambling addict; what at first seems a redemptive relationship ends up leading him further down the criminal path. Bewitchingly shot and edited, and laced with a fever-dream-like score by Toru Takemitsu, this gangster romance was a breakthrough for the idiosyncratic Masahiro Shinoda. The pitch-black Pale Flower (Kawaita hana) is an unforgettable excursion into the underworld.
| Muraki | Ryo Ikebe |
| Saeko | Mariko Kaga |
| Yoh | Takashi Fujiki |
| Aikawa | Naoki Sugiura |
| Funada | Seiji Miyaguchi |
| Yasuoka | Eijiro Tono |
| Muraki’s lover | Chisako Hara |
| Reiji | Shinichiro Mikami |
| Tamaki | Koji Nakahara |
| Jiro | Isao Sasaki |
| Director | Masahiro Shinoda |
| Produced by | Masao Shirai and Shigeru Wakatsuki |
| Screenplay | Ataru Baba and Masahiro Shinoda |
| From the original story by | Shintaro Ishihara |
| Cinematography | Masao Kosugi |
| Production design | Shigemasa Toda |
| Music | Toru Takemitsu and Yuji Takahashi |
By May 17, 2011
“There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director . . . Read more »
By May 17, 2011
“There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director . . . Read more »
January 13, 2012
It’s the time of year when the list makers do their heavy lifting, looking back over the . . . Read more »
June 06, 2011
Critics are luxuriating in the shade of Masahiro Shinoda’s pitch-black Japanese New Wave . . . Read more »
By May 17, 2011
“There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director . . . Read more »