Kes: Winged Hope
By April 19, 2011
An Eagle for an Emperor, a Gyrfalcon for a King; a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady; a Goshawk for a Yeoman, a Sparrowhawk for a Priest, a Musket for . . . Read more »
SYNOPSIS: Named one of the ten best British films of the century by the British Film Institute, Ken Loach’s Kes, is cinema’s quintessential portrait of working-class Northern England. Billy (an astonishingly naturalistic David Bradley) is a fifteen-year-old miner’s son whose close bond with a wild kestrel provides him with a spiritual escape from his dead-end life. Kes brought to the big screen the sociopolitical engagement Loach had established in his work for the BBC, and pushed the British “angry young man” film of the sixties into a new realm of authenticity, using real locations and nonprofessional actors. Loach’s poignant coming-of-age drama remains the now legendary director’s most beloved and influential film.
| Billy | David Bradley |
| Jud | Freddie Fletcher |
| Mrs. Casper | Lynne Perrie |
| Mr. Farthing | Colin Welland |
| Mr. Sugden | Brian Glover |
| Mr. Gryce | Bob Bowes |
| Youth employment officer | Bernard Atha |
| Librarian | Zoe Sutherland |
| Director | Ken Loach |
| Screenplay | Barry Hines and Ken Loach |
| From the book A Kestrel for a Knave by | Barry Hines |
| Producer | Tony Garnett |
| Director of photography | Chris Menges |
| Editor | Roy Watts |
| Art director | William McCrow |
| Music | John Cameron |
DIRECTOR-APPROVED SPECIAL EDITION:
By April 19, 2011
An Eagle for an Emperor, a Gyrfalcon for a King; a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady; a Goshawk for a Yeoman, a Sparrowhawk for a Priest, a Musket for . . . Read more »
May 03, 2011
American critics are thrilled that viewers on this side of the Atlantic finally have a chance to get acquainted with the essential British classic Kes, Ken Loach’s moving drama about a teenager in . . . Read more »