A glorious Technicolor epic that influenced generations of filmmakers, artists, and aspiring ballerinas, The Red Shoes intricately weaves backstage life with the thrill of performance. A young ballerina (Moira Shearer) is torn between two forces: the composer who loves her (Marius Goring), and the impresario determined to fashion her into a great dancer (Anton Walbrook).
Cast
| Boris Lermontov | Anton Walbrook |
| Julian Craster | Marius Goring |
| Victoria Page | Moira Shearer |
| Ivan Boleslawsky | Robert Helpmann |
| Ljubov | Leonide Massine |
| Ratov | Albert Basserman |
| Boronskaja | Ludmilla Tcherina |
| Livy | Esmond Knight |
| Professor Palmer | Austin Trevor |
| Dimitri | Eric Berry |
| Lady Neston | Irene Brown |
Credits
| Director | Michael Powell and Emeric Pressburger |
| Written, produced, and directed by | Michael Powell and Emeric Pressburger |
| Production Design | Hein Heckroth |
| Editing | Reginald Mills |
| Music composed, arranged, and conducted by | Brian Easdale |
| Art direction | Arthur Lawson |
| The "Ballet of the Red Shoes" choreography by | Robert Helpmann |
| The part of the shoemaker created and danced by | Leonide Massine |
| The Royal Philharmonic Orchestra conducted by | Sir Thomas Beecham |
| Cinematography | Jack Cardiff |
Jul 22, 2009
We’ve previously written about the new digitally restored 35 mm print of Powell and Pressburger’s ballet masterpiece The Red Shoes, which premiered at Cannes in May. (We can’t wait to see it stateside.) But how much do we really understand about what it means—and what it takes—for a classic...
May 21, 2009
People just can’t get enough of The Red Shoes, judging by the buzz surrounding the new digital restoration of Powell and Pressburger’s Technicolor masterpiece, which premiered last week at the Cannes Film Festival. And the latest offering in the swirl of press coverage is a great one: an...
May 14, 2009
A new, restored print of Michael Powell and Emeric Pressburger’s The Red Shoes is premiering in Cannes tonight, with Martin Scorsese going onstage to introduce it. So what’s the big Scorsese-Powell connection anyway? Well, you can learn all about it in an informative new article in the...
by Ian Christie
May 24, 1999
Before The Red Shoes, there were films with dance numbers. After it, there was a new medium which combined dance, design, and music in a dreamlike spectacle. Hollywood musicals were quick to pay tribute—An American in Paris was the most obviously...