Ready for His Close-up
December 07, 2012
The Red Shoes, the singular fantasia from Michael Powell and Emeric Pressburger, is cinema’s quintessential backstage drama, as well as one of the most glorious Technicolor feasts ever concocted for the screen. Moira Shearer is a rising star ballerina torn between an idealistic composer and a ruthless impresario intent on perfection. Featuring outstanding performances, blazingly beautiful cinematography by Jack Cardiff, Oscar-winning sets and music, and an unforgettable, hallucinatory central dance sequence, this beloved classic, now dazzlingly restored, stands as an enthralling tribute to the life of the artist.
| Boris Lermontov | Anton Walbrook |
| Julian Craster | Marius Goring |
| Victoria Page | Moira Shearer |
| Ivan Boleslawsky | Robert Helpmann |
| Ljubov | Leonide Massine |
| Ratov | Albert Basserman |
| Boronskaja | Ludmilla Tcherina |
| Livy | Esmond Knight |
| Professor Palmer | Austin Trevor |
| Dimitri | Eric Berry |
| Lady Neston | Irene Brown |
| Director | Michael Powell and Emeric Pressburger |
| Written, produced, and directed by | Michael Powell and Emeric Pressburger |
| Production design | Hein Heckroth |
| Editing | Reginald Mills |
| Music composed, arranged, and conducted by | Brian Easdale |
| Art direction | Arthur Lawson |
| The "Ballet of the Red Shoes" choreography by | Robert Helpmann |
| The part of the shoemaker created and danced by | Leonide Massine |
| The Royal Philharmonic Orchestra conducted by | Sir Thomas Beecham |
| Cinematography | Jack Cardiff |
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