Making Riot in Cell Block 11
Master of the House: In the Corner
By Mark Le Fanu
Riot in Cell Block 11: States of Exception
By Chris Fujiwara
Did You See This?
Lars von Trier on Breaking the Waves
By Stig Björkman
Those are our three reasons. What are yours?
By Murmer99 September 26, 201202:49 PM
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By BRAD September 26, 201205:57 PM
By nolan w. September 26, 201207:11 PM
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By Narrator September 26, 201207:55 PM
By Sidney September 26, 201208:14 PM
By bobunitone September 27, 201212:58 AM
By chadh September 27, 201206:37 AM
By Patrick October 01, 201212:20 PM
By lenij October 02, 201208:24 PM
By Zoodermin October 29, 201206:06 PM
By dasboot4211 December 26, 201212:54 AM
“I see it as a lesson for the depressed-artist type personality.
Mona says several times, "I don't care" and has unrealistic expectations of her life, tries to make people who have more/worked . . .”
JP Bailey, MA on Vagabond, about 12 hours ago.
“Excellent! Thank you!”
thepoliticalcat on Making Riot in Cell Block 11, about 12 hours ago.
“Yes women must always be portrayed as delicate feathers - otherwise the director hates women. The 1950s is calling.”
cinesimon on Breaking the Waves and Emotional Editing, about 13 hours ago.
“Would "Pink Floyd: The Wall" even count as an animated film?”
obscuredbyclouds on Did You See This?, 2 days ago.
“If you're at all interested, I made a list of all the Criterion releases that contain animated shorts, characters or sequences.”
Craig J. Clark on Did You See This?, 2 days ago.
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