Body and Soul
1925
Body and Soul, directed by the legendary African American filmmaker Oscar Micheaux, is a direct critique of the power of the cloth, casting Paul Robeson in dual roles as a jackleg preacher and a well-meaning inventor.
SYNOPSIS: All-American athlete, scholar, renowned baritone, stage actor, and social activist, Paul Robeson (1898-1976) was a towering figure and a trailblazer many times over. He was perhaps most groundbreaking, however, in the medium of film. The son of an escaped slave, Robeson managed to become a top-billed movie star during the time of Jim Crow America, headlining everything from fellow pioneer Oscar Micheaux’s silent drama Body and Soul to British studio showcases to socially engaged documentaries, all the while striving to project positive images of black characters. Increasingly politically minded, Robeson eventually left movies behind, using his international celebrity to speak for those denied their civil liberties around the world and ultimately becoming a victim of ideological persecution himself. But his film legacy lives on and continues to speak eloquently of the long and difficult journey of a courageous and outspoken African-American.
1925
Body and Soul, directed by the legendary African American filmmaker Oscar Micheaux, is a direct critique of the power of the cloth, casting Paul Robeson in dual roles as a jackleg preacher and a well-meaning inventor.
1930
Borderline, the sole feature of British film theorist Kenneth Macpherson, boldly blends Eisensteinian montage and domestic melodrama, and features Paul Robeson and his wife, Eslanda, as lovers caught up in a tangled web of interracial affairs.1933
Of all Paul Robeson’s starring film performances, by far his most iconic was his breakthrough in the big-screen adaptation of Eugene O’Neill’s The Emperor Jones, in which he plays Brutus Jones, a Pullman porter who powers his way to the rule of a Caribbean island.
1979
Saul J. Turell’s Academy Award-winning documentary short Paul Robeson: Tribute to an Artist, narrated by Sidney Poitier, traces his career through his activism and his socially charged performances of his signature song, “Ol’ Man River.”
1935
Paul Robeson moved his family to London in 1928, headlining six British films in twelve years. Robeson’s first British production, Zoltán Korda’s Sanders of the River, however, ended up an embarrassment, its story of an African tribal leader transformed into a celebration of the British Empire.
1937
Jericho features Paul Robeson, in what turned out to be his most satisfying film role, as a World War I officer who escapes his fate as a black man by fleeing to Africa and creating a new world for himself.
1940
As David Goliath, in the popular British drama The Proud Valley, Paul Robeson is the quintessential everyman, an American sailor who joins rank-and-file Welsh miners organizing against the powers that be.
1942
With Paul Robeson’s narration and songs, Paul Strand and Leo Hurwitz’s beautifully shot and edited political semidocumentary exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country.