|
327
|
|
3 Films by Louis Malle
|
|
|
|
|
418
|
|
4 by Agnès Varda
|
|
|
|
|
|
|
AK 100: 25 Films by Akira Kurosawa
|
|
|
|
|
25
|
|
Alphaville
|
Jean-Luc Godard
|
France,
|
1965
|
|
|
|
El amor brujo
|
Carlos Saura
|
Spain,
|
1986
|
|
617
|
|
And Everything Is Going Fine
|
Steven Soderbergh
|
United States,
|
2010
|
|
282
|
|
Andrzej Wajda: Three War Films
|
|
|
|
|
50
|
|
And the Ship Sails On
|
Federico Fellini
|
Italy,
|
1983
|
|
542
|
|
Antichrist
|
Lars von Trier
|
Denmark,
|
2009
|
|
40
|
|
Armageddon
|
Michael Bay
|
United States,
|
1998
|
|
303
|
|
Bad Timing
|
Nicolas Roeg
|
United Kingdom,
|
1980
|
|
343
|
|
The Bakery Girl of Monceau
|
Eric Rohmer
|
France,
|
1963
|
|
78
|
|
The Bank Dick
|
Edward Cline
|
United States,
|
1940
|
|
324
|
|
La bête humaine
|
Jean Renoir
|
France,
|
1938
|
|
121
|
|
Billy Liar
|
John Schlesinger
|
United Kingdom,
|
1963
|
|
28
|
|
Blood for Dracula
|
Paul Morrissey
|
United States,
|
1974
|
|
67
|
|
The Blood of a Poet
|
Jean Cocteau
|
France,
|
1930
|
|
|
|
Blood Wedding
|
Carlos Saura
|
Spain,
|
1981
|
|
150
|
|
Bob le flambeur
|
Jean-Pierre Melville
|
France,
|
1956
|
|
705
|
|
Breaking the Waves
|
Lars von Trier
|
Denmark,
|
1996
|
|
517
|
|
By Brakhage: An Anthology, Volume Two
|
Stan Brakhage
|
United States,
|
|
|
124
|
|
Carl Theodor Dreyer
|
|
|
|
|
|
|
Carmen
|
Carlos Saura
|
Spain,
|
1983
|
|
75
|
|
Chasing Amy
|
Kevin Smith
|
United States,
|
1997
|
|
496
|
|
Che
|
Steven Soderbergh
|
France,
|
2008
|
|
323
|
|
The Children Are Watching Us
|
Vittorio De Sica
|
Italy,
|
1944
|
|
347
|
|
Claire’s Knee
|
Eric Rohmer
|
France,
|
1970
|
|
73
|
|
Cléo from 5 to 7
|
Agnès Varda
|
France,
|
1962
|
|
346
|
|
La collectionneuse
|
Eric Rohmer
|
France,
|
1967
|
|
759
|
|
The Confession
|
Costa-Gavras
|
Italy,
|
1970
|
|
171
|
|
Contempt
|
Jean-Luc Godard
|
France,
|
1963
|
|
476
|
|
The Curious Case of Benjamin Button
|
David Fincher
|
United States,
|
2008
|
|
769
|
|
Day for Night
|
François Truffaut
|
France,
|
1973
|
|
21
|
|
Dead Ringers
|
David Cronenberg
|
United States,
|
1988
|
|
427
|
|
Death of a Cyclist
|
Juan Antonio Bardem
|
Spain,
|
1955
|
|
117
|
|
Diary of a Chambermaid
|
Luis Buñuel
|
France,
|
1964
|
|
222
|
|
Diary of a Country Priest
|
Robert Bresson
|
France,
|
1951
|
|
102
|
|
The Discreet Charm of the Bourgeoisie
|
Luis Buñuel
|
France,
|
1972
|
|
286
|
|
Divorce Italian Style
|
Pietro Germi
|
Italy,
|
1961
|
|
531
|
|
The Docks of New York
|
Josef von Sternberg
|
United States,
|
1928
|
|
733
|
|
La dolce vita
|
Federico Fellini
|
Italy,
|
1960
|
|
447
|
|
Le doulos
|
Jean-Pierre Melville
|
France,
|
1962
|
|
|
|
Eclipse Series 10: Silent Ozu—Three Family Comedies
|
|
|
|
|
|
|
Eclipse Series 12: Aki Kaurismäki’s Proletariat Trilogy
|
|
|
|
|
|
|
Eclipse Series 15: Travels with Hiroshi Shimizu
|
|
|
|
|
|
|
Eclipse Series 16: Alexander Korda’s Private Lives
|
|
|
|
|
|
|
Eclipse Series 19: Chantal Akerman in the Seventies
|
|
|
|
|
|
|
Eclipse Series 23: The First Films of Akira Kurosawa
|
|
|
|
|
|
|
Eclipse Series 25: Basil Dearden’s London Underground
|
|
|
|
|
|
|
Eclipse Series 26: Silent Naruse
|
|
|
|
|
|
|
Eclipse Series 29: Aki Kaurismäki’s Leningrad Cowboys
|
|
|
|
|
|
|
Eclipse Series 32: Pearls of the Czech New Wave
|
|
|
|
|
|
|
Eclipse Series 34: Jean Grémillon During the Occupation
|
|
|
|
|
|
|
Eclipse Series 39: Early Fassbinder
|
|
|
|
|
|
|
Eclipse Series 3: Late Ozu
|
|
|
|
|
|
|
Eclipse Series 5: The First Films of Samuel Fuller
|
|
|
|
|
86
|
|
Eisenstein: The Sound Years
|
|
|
|
|
80
|
|
The Element of Crime
|
Lars von Trier
|
Denmark,
|
1984
|
|
467
|
|
Empire of Passion
|
Nagisa Oshima
|
Japan,
|
1978
|
|
398
|
|
Les enfants terribles
|
Jean-Pierre Melville
|
France,
|
1950
|
|
|
|
Essential Art House: 50 Years of Janus Films
|
|
|
|
|
454
|
|
Europa
|
Lars von Trier
|
Denmark,
|
1991
|
|
395
|
|
The Face of Another
|
Hiroshi Teshigahara
|
Japan,
|
1966
|
|
357
|
|
The Fallen Idol
|
Carol Reed
|
United Kingdom,
|
1948
|
|
263
|
|
Fanny and Alexander: Theatrical Version
|
Ingmar Bergman
|
Sweden,
|
1982
|
|
145
|
|
The Firemen’s Ball
|
Miloš Forman
|
Czechoslovakia,
|
1967
|
|
430
|
|
The Fire Within
|
Louis Malle
|
France,
|
1963
|
|
27
|
|
Flesh for Frankenstein
|
Paul Morrissey
|
United States,
|
1973
|
|
|
|
Floating Weeds
|
Yasujiro Ozu
|
Japan,
|
1959
|
|
293
|
|
The Flowers of St. Francis
|
Roberto Rossellini
|
Italy,
|
1950
|
|
318
|
|
Forbidden Games
|
René Clément
|
France,
|
1952
|
|
463
|
|
Il Generale Della Rovere
|
Roberto Rossellini
|
Italy,
|
1959
|
|
|
|
Gervaise
|
René Clément
|
France,
|
1956
|
|
1
|
|
Grand Illusion
|
Jean Renoir
|
France,
|
1937
|
|
618
|
|
Gray’s Anatomy
|
Steven Soderbergh
|
United States,
|
1997
|
|
82
|
|
Hamlet
|
Laurence Olivier
|
United Kingdom,
|
1948
|
|
9
|
|
Hard Boiled
|
John Woo
|
Hong Kong,
|
1992
|
|
83
|
|
The Harder They Come
|
Perry Henzell
|
United States,
|
1972
|
|
608
|
|
Harold and Maude
|
Hal Ashby
|
United States,
|
1971
|
|
154
|
|
The Horse’s Mouth
|
Ronald Neame
|
United Kingdom,
|
1958
|
|
488
|
|
Howards End
|
James Ivory
|
United Kingdom,
|
1992
|
|
195
|
|
I fidanzati
|
Ermanno Olmi
|
Italy,
|
1962
|
|
246
|
|
I vitelloni
|
Federico Fellini
|
Italy,
|
1953
|
|
169
|
|
Jimi Plays Monterey & Shake! Otis at Monterey
|
D. A. Pennebaker and Chris Hegedus
|
United States,
|
1986
|
|
|
|
Le jour se lève
|
Marcel Carné
|
France,
|
1939
|
|
149
|
|
Juliet of the Spirits
|
Federico Fellini
|
Italy,
|
1965
|
|
|
|
Kapò
|
Gillo Pontecorvo
|
Italy,
|
1959
|
|
313
|
|
Kill!
|
Kihachi Okamoto
|
Japan,
|
1968
|
|
8
|
|
The Killer
|
John Woo
|
Hong Kong,
|
1989
|
|
325
|
|
Kind Hearts and Coronets
|
Robert Hamer
|
United Kingdom,
|
1949
|
|
266
|
|
The King of Kings
|
Cecil B. DeMille
|
United States,
|
1927
|
|
1168
|
|
Lars von Trier’s Europe Trilogy
|
|
|
|
|
530
|
|
The Last Command
|
Josef von Sternberg
|
United States,
|
1928
|
|
|
|
Last Holiday
|
Henry Cass
|
United Kingdom,
|
1950
|
|
478
|
|
Last Year at Marienbad
|
Alain Resnais
|
France,
|
1961
|
|
572
|
|
Léon Morin, Priest
|
Jean-Pierre Melville
|
France,
|
1961
|
|
206
|
|
Lola
|
Rainer Werner Fassbinder
|
West Germany,
|
1981
|
|
348
|
|
Love in the Afternoon
|
Eric Rohmer
|
France,
|
1972
|
|
239
|
|
The Lower Depths
|
|
|
|
|
|
|
Madadayo
|
Akira Kurosawa
|
Japan,
|
1993
|
|
424
|
|
Mafioso
|
Alberto Lattuada
|
Italy,
|
1962
|
|
236
|
|
Mamma Roma
|
Pier Paolo Pasolini
|
Italy,
|
1962
|
|
304
|
|
The Man Who Fell to Earth
|
Nicolas Roeg
|
United States,
|
1976
|
|
204
|
|
The Marriage of Maria Braun
|
Rainer Werner Fassbinder
|
West Germany,
|
1979
|
|
|
|
Mayerling
|
Anatole Litvak
|
France,
|
1936
|
|
402
|
|
The Milky Way
|
Luis Buñuel
|
France,
|
1969
|
|
111
|
|
Mon oncle
|
Jacques Tati
|
France,
|
1958
|
|
110
|
|
Monsieur Hulot’s Holiday
|
Jacques Tati
|
France,
|
1953
|
|
328
|
|
Murmur of the Heart
|
Louis Malle
|
France,
|
1971
|
|
345
|
|
My Night at Maud’s
|
Eric Rohmer
|
France,
|
1969
|
|
33
|
|
Nanook of the North
|
Robert Flaherty
|
United States,
|
1922
|
|
683
|
|
Nashville
|
Robert Altman
|
United States,
|
1975
|
|
49
|
|
Nights of Cabiria
|
Federico Fellini
|
Italy,
|
1957
|
|
|
|
Olivier’s Shakespeare
|
|
|
|
|
524
|
|
The Only Son/There Was a Father: Two Films by Yasujiro Ozu
|
|
|
|
|
66
|
|
The Orphic Trilogy
|
|
|
|
|
290
|
|
The Phantom of Liberty
|
Luis Buñuel
|
France,
|
1974
|
|
471
|
|
Pigs, Pimps & Prostitutes: 3 Films by Shohei Imamura
|
|
|
|
|
393
|
|
Pitfall
|
Hiroshi Teshigahara
|
Japan,
|
1962
|
|
444
|
|
Le plaisir
|
Max Ophuls
|
France,
|
1952
|
|
245
|
|
Port of Shadows
|
Marcel Carné
|
France,
|
1938
|
|
85
|
|
Pygmalion
|
Anthony Asquith and Leslie Howard
|
United Kingdom,
|
1938
|
|
193
|
|
Quai des Orfèvres
|
Henri-Georges Clouzot
|
France,
|
1947
|
|
316
|
|
Ran
|
Akira Kurosawa
|
Japan,
|
1985
|
|
|
|
The Red Balloon
|
Albert Lamorisse
|
France,
|
1956
|
|
23
|
|
RoboCop
|
Paul Verhoeven
|
United States,
|
1987
|
|
108
|
|
The Rock
|
Michael Bay
|
United States,
|
1996
|
|
630
|
|
Rosemary’s Baby
|
Roman Polanski
|
United States,
|
1968
|
|
15
|
|
Samurai II: Duel at Ichijoji Temple
|
Hiroshi Inagaki
|
Japan,
|
1955
|
|
16
|
|
Samurai III: Duel at Ganryu Island
|
Hiroshi Inagaki
|
Japan,
|
1956
|
|
14
|
|
Samurai I: Musashi Miyamoto
|
Hiroshi Inagaki
|
Japan,
|
1954
|
|
109
|
|
The Scarlet Empress
|
Josef von Sternberg
|
United States,
|
1934
|
|
199
|
|
Schizopolis
|
Steven Soderbergh
|
United States,
|
1996
|
|
616
|
|
Shallow Grave
|
Danny Boyle
|
United Kingdom,
|
1994
|
|
663
|
|
Shoah
|
Claude Lanzmann
|
France,
|
1985
|
|
315
|
|
Shoot the Piano Player
|
François Truffaut
|
France,
|
1960
|
|
441
|
|
The Small Back Room
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1949
|
|
353
|
|
Sólo con tu pareja
|
Alfonso Cuarón
|
Mexico,
|
1991
|
|
136
|
|
Spellbound
|
Alfred Hitchcock
|
United States,
|
1945
|
|
241
|
|
Stage and Spectacle: Three Films by Jean Renoir
|
|
|
|
|
728
|
|
Sundays and Cybèle
|
Serge Bourguignon
|
France,
|
1962
|
|
344
|
|
Suzanne’s Career
|
Eric Rohmer
|
France,
|
1963
|
|
311
|
|
Sword of the Beast
|
Hideo Gosha
|
Japan,
|
1965
|
|
69
|
|
Testament of Orpheus
|
Jean Cocteau
|
France,
|
1959
|
|
143
|
|
That Obscure Object of Desire
|
Luis Buñuel
|
France,
|
1977
|
|
64
|
|
The Third Man
|
Carol Reed
|
United Kingdom,
|
1949
|
|
392
|
|
Three Films by Hiroshi Teshigahara
|
|
|
|
|
271
|
|
Touchez pas au grisbi
|
Jacques Becker
|
France,
|
1954
|
|
275
|
|
Tout va bien
|
Jean-Luc Godard and Jean-Pierre Gorin
|
France,
|
1972
|
|
439
|
|
Trafic
|
Jacques Tati
|
France,
|
1971
|
|
|
|
Trilogía de Guillermo del Toro
|
|
|
|
|
129
|
|
Le trou
|
Jacques Becker
|
France,
|
1960
|
|
388
|
|
The Two of Us
|
Claude Berri
|
France,
|
1967
|
|
55
|
|
The Unbearable Lightness of Being
|
Philip Kaufman
|
United States,
|
1988
|
|
410
|
|
Under the Volcano
|
John Huston
|
United States,
|
1984
|
|
529
|
|
Underworld
|
Josef von Sternberg
|
United States,
|
1927
|
|
74
|
|
Vagabond
|
Agnès Varda
|
France,
|
1985
|
|
81
|
|
Variety Lights
|
Federico Fellini and Alberto Lattuada
|
Italy,
|
1950
|
|
205
|
|
Veronika Voss
|
Rainer Werner Fassbinder
|
West Germany,
|
1982
|
|
79
|
|
W. C. Fields—Six Short Films
|
Monte Brice, Clyde Bruckman, Edwin Middleton, Leslie Pearce, and Arthur Ripley
|
United States,
|
1933
|
|
455
|
|
White Dog
|
Samuel Fuller
|
United States,
|
1982
|
|
|
|
White Mane
|
Albert Lamorisse
|
France,
|
1953
|
|
189
|
|
The White Sheik
|
Federico Fellini
|
Italy,
|
1952
|
|
238
|
|
A Woman Is a Woman
|
Jean-Luc Godard
|
France,
|
1961
|
|
723
|
|
Y tu mamá también
|
Alfonso Cuarón
|
Mexico,
|
2001
|
|
491
|
|
Z
|
Costa-Gavras
|
Greece,
|
1969
|