Aug 19, 2014 — Alfonso Cuaron, a filmmaker congenitally allergic to creative constriction, made his most liberated movie with this erotic, moving, often funny threesome tale.

Aug 13, 2014 — Actors Gael García Bernal and Diego Luna sat down to talk to Criterion about their experiences making Y tu mamá también with director Alfonso Cuarón for our release of the 2001 film. In this clip, they discuss finding a chemistry...

Apr 6, 2017 — Repertory PicksOn Sunday evening, Alfonso Cuarón’s sultry road movie Y tu mamá también (2001) will roll into the Wilmette Theatre in Wilmette, Illinois. After helming two Hollywood productions that focused on the process of growing up—an imaginative adaptation of the...

The writer, director, and actor admires the physical comedy of Pierre Etaix and the hallucinatory world of House, recalls formative experiences watching Y tu mamá también and The Virgin Suicides, and shares why he relates to the protagonist of Where...

The award-winning actor and producer discusses his work in such Mexican-cinema classics as Y tu mamá también and Amores perros, shares his love for the mysterious pleasures of Blow-Up and Purple Noon, and praises the brilliance of Luis Buñuel and...

The director of the Oscar-nominated documentary Fire of Love shares her passion for nonfiction filmmakers Chris Marker and Les Blank, and for the iconic love triangles in Jules and Jim and Y tu mamá también.

Oct 16, 2006 — Alfonso Cuarón’s first film—a sex farce that pokes fun at Mexican culture, including a public-service AIDS campaign—emerged from Mexico’s beleaguered state funding system for cinema, and was initially shelved by the government.

Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Apr 9, 2025 — Take a look at some of the memorable moments we have shared with movie lovers since the Mobile Closet launched last fall.

Jun 22, 2021 — This month’s roundup of new and noteworthy titles opens with “a counterfactual history of the movies.”