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Remarkable Women

The Daily

Apr 15, 2022 This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

Sep 16, 2021 For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Jan 21, 2015 Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?

Dec 3, 2008 Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.

Jan 17, 2023 One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Apr 24, 2012 An unverifiable, if heartfelt, assertion: For the quarter century between 1945 and 1970 (or from Rome Open City to Fellini Satyricon), the world’s greatest popular cinema was produced in Italy—a realm of glamorous superstars, sensational comedians, and great genre flicks....

Apr 12, 2018 Perhaps the most exciting “in the works” item of the past few days isn’t even about a film. Elaine May, seen above with her comedy partner Mike Nichols in the 1950s, “will star in the first Broadway production of Kenneth...

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