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At the Wheel

Essays

May 30, 2023 Arriving at a fulcrum moment in women’s history in the United States, Thelma & Louise stoked controversy by delivering a boldly feminist worldview in a funny, warm, and sexy package.

May 30, 2023 What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

May 30, 2023 Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.

The actor and comedian explains why His Girl Friday is “extremely Hacks-coded,” connects with David Lynch’s love of Los Angeles, and selects favorites like Thelma & Louise and Paper Moon.

The singer-songwriter shares why Thelma & Louise was a North Star when writing her first album, praises the way Days of Heaven immerses viewers in its beauty, and talks about her deep affection for Grey Gardens.

The actor, known for her roles in Transparent and Hustlers, pays tribute to the pioneering subjects of Paris Is Burning, muses about her dream of starring in a future remake of Thelma & Louise, and praises the sexy smoothness of...

Jun 12, 2024 This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Apr 24, 2026 Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.

Sep 24, 2024 Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.

Nov 21, 2023 What stuck with me most after watching La cérémonie (1995) for the first time was the chewing gum.It’s not the scene most often cited in discussions of this late-career classic from French thriller master Claude Chabrol. Don’t get me wrong:...

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