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Jul 27, 2022 Beat the heat with our extensive survey of Chinese representation in American film as well as tributes to Yaphet Kotto, David Gulpilil, and Myrna Loy.

Nov 29, 2023 Rudolph Valentino, Anna May Wong, Harold Lloyd, and Pola Negri will light up the Castro’s big screen on Saturday.

Hollywood’s Top Dog

Visual Analysis

Sep 18, 2018 One of cinema’s most charismatic canines shows off his comedic chops in Leo McCarey’s screwball masterpiece The Awful Truth.

Irene Goes Wild

Features

Dec 12, 2022 The great but underrated Hollywood star Irene Dunne made her transition to screwball comedy by playing the scandal-courting author at the heart of Theodora Goes Wild.

September Books

The Daily

Sep 18, 2024 We’re reading or anticipating new books from Pedro Almodóvar, Al Pacino, Werner Herzog, and Cher.

Jan 7, 2020 Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...

Feb 26, 2018 The new Spring 2018 of Cineaste is out, and online, we find just a few previews of what’s inside, but a whole lot of web exclusives. “The Nixon presidency? Suddenly, it seems almost quaint,” writes Jonathan Kirshner. “But it was...

Nov 15, 2017 “Two exhibitions on different sides of the Atlantic—Marlene Dietrich: Dressed for the Image at the National Portrait Gallery in Washington, through April 15; and Obsession Marlene at the Maison Européenne de la Photographie (MEP) in Paris through Jan. 7—explore how...

Sep 26, 2010 The Thin Red Line, arguably the greatest war film ever made, ended two decades of silence from Terrence Malick, cinema’s wandering auteur. The silence wasn’t entirely self-imposed, since during this time he tried to launch a few productions—including a tale...

Le Corbeau

Essays

Feb 16, 2004 Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.

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