The Criterion Collection
The Daily
Feb 27, 2018 — “Orson Welles, a boy from Kenosha, Wisconsin, was one of the most audacious Shakespearians who ever lived,” writes Robert Horton. “He recited soliloquies as a child, wrote a book on the plays as a teenager, and at age seventeen roamed...
The Daily
May 23, 2017 — “He was the epitome of the suave English gent, quipping sweatlessly in a bespoke three-piece suit, who enjoyed an acting career spanning eight decades,” writes Benjamin Lee for the Guardian. “On Tuesday, Roger Moore’s children announced his death at the...
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...
The Daily
May 10, 2023 — The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”
The Daily
Nov 29, 2017 — The Sundance Film Festival, whose 2018 edition will run from January 18 through 28, has announced the lineups for its U.S. Dramatic and Documentary Competitions, World Cinema Dramatic and Documentary Competitions, and its Next, Spotlight, Premieres, Documentary Premieres, Midnight, and...
The Daily
Oct 12, 2017 — Last week, after years of rumors and aborted attempts to bring it to light, Hollywood’s “open secret” finally became a story fit to print. On Thursday, October 5, Jodi Kantor and Megan Twohey reported for the New York Times that...
Apr 1, 2015 — Ingmar Bergman plumbs unfathomable depths in his cinematically sensual tale of four women facing the inevitable in mind and body.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Sep 7, 2021 — When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”