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Watch Now On The Criterion Channel

Sep 27, 2016 This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.

Jul 24, 2017 In Issue 13 of Alphaville: Journal of Film and Screen Media, editors Loretta Goff and Caroline V. Schroeter “bring together eight articles from around the world that interrogate the representation of race, ethnicity and identity on screen.”Kenta McGrath writes about...

Sep 25, 2012 No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.

Aug 29, 2023 Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...

Jan 16, 2020 Cannes and Venice select jury presidents, and the Berlinale will present new work by Damien Chazelle, Athina Rachel Tsangari, and more.

Do Look Back

The Daily

Jul 26, 2019 This week’s round features conversations with Abbas Kiarostami, Christopher Doyle, Julia Loktev, and Barry Jenkins.

Mann’s World

The Daily

Oct 11, 2018 Did You See This? Five highlights of the past seven days:Films by Michael Mann are the subject of two not-to-be-missed pieces this week. Writing for Oscilloscope’s Musings, Bilge Ebiri argues the case for the neglected Blackhat (2015): “When video liberated...

Mar 23, 2021 With the participation of Wong Kar Wai’s production company, Jet Tone Films, and collaborating with L’Immagine Ritrovata and One Cool, the Criterion Collection undertook meticulous restorations of seven of the director’s films, five of which—Chungking Express, Fallen Angels, Happy Together,...

Jan 23, 2024 Close contenders include Poor Things, Killers of the Flower Moon, Barbie, and Maestro.

Jun 28, 2019 This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.

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