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Shop 4K, Blu-ray, and DVD (16)
Watch Now On The Criterion Channel

Mar 24, 2026 Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.

Mar 28, 2017 In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Dec 29, 2022 Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .

Mar 15, 2004 This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.

Sep 11, 2017 In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Loving Lola

Essays

Feb 9, 2010 You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...

Nov 11, 2002 Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Apr 14, 2025 This month’s programming brings seaside thrills and white-knuckle tension, noir classics from a politically repressive era in American history, early gems from Kathryn Bigelow, and guest-curated picks from Spike Lee.

Sep 26, 2010 The Thin Red Line, arguably the greatest war film ever made, ended two decades of silence from Terrence Malick, cinema’s wandering auteur. The silence wasn’t entirely self-imposed, since during this time he tried to launch a few productions—including a tale...

Apr 8, 2018 Saige Walton and Nadine Boljkovac introduce the dossier “Materializing Absence” in the new issue of Screening the Past: “We start from the central premise that absence in screen media is not ‘nothing’—that absence itself is always invested with material attributes....

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