The Criterion Collection
Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.
Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...
Sep 19, 2012 — Marcel Carné’s tale of love and devilry in medieval France was a sensation during the German occupation.
Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...
On the Channel
Dec 1, 2021 — Celebrate the holidays with our 21-film Alfred Hitchcock retrospective and a series dedicated to collaborations between female directors and cinematographers.
The Daily
Aug 27, 2021 — This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.
Essays
Mar 4, 2002 — Wong Kar-wai’s biggest commercial success to date elevated him to the mainstream of international art house cinema, and it echoes the end of an era with pure melancholic power.
Oct 24, 2019 — D irector Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile that...
The Daily
Nov 11, 2025 — “It’s the end of the world, but keep dancing,” says Laxe.
The Daily
Apr 10, 2024 — Oksana Karpovych’s second feature juxtaposes images of a ravaged Ukraine with the voices of Russian soldiers.