The Criterion Collection
May 29, 2014 — Christopher Hobbs is a production designer whose work includes Derek Jarman’s Sebastiane (1976), Caravaggio (1986), and Edward II (1991); Terence Davies’s The Long Day Closes (1992) and The Neon Bible (1995); and Todd Haynes’s Velvet Goldmine (1998). He says that...
The Daily
Oct 11, 2023 — The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.
On the Channel
May 26, 2022 — Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.
The Daily
Nov 7, 2025 — Ira Sachs’s new film opens this week, plus: Joy Williams on Gene Hackman and Claire Atherton’s work with Chantal Akerman.
Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.
The Daily
Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...