Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

The actor praises the honest and vulnerable performances in John Schlesinger’s films, shares how Klute awakened her love for film noir, and talks about why she keeps returning to The Mother and the Whore.

The director and cowriter of The Brutalist selects three favorites by Luchino Visconti, praises Larisa Shepitko as one of the greatest directors in the history of cinema, and talks about the hypnotic, endlessly watchable The Mother and the Whore.

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.

Mar 1, 2024 — This week offers David Bordwell on Hou Hsiao-hsien’s evolution, Jean Eustache on Ernst Lubitsch, and two must-read reviews of About Dry Grasses.

Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

May 2, 2022 — MoMA and the Harvard Film Archive present a program of more than forty overlooked features.

Feb 9, 2022 — Restorations and revivals of works by two unjustly overlooked filmmakers are now underway.