Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.

Jan 11, 2009 — What happened when Bernardo Bertolucci went to see Stop Making Sense in Florence? Well, as he confessed to director Jonathan Demme, he not only loved the film but was also stunned by (and even a little envious of) the response...

Jan 3, 2008 — We’ve received a number of letters recently inquiring about the various versions of Bernardo Bertolucci’s The Last Emperor. I’ve been immersed in the film for several months now and wanted to clarify a few misconceptions. When I started working on...

Feb 25, 2008 — We’re getting a huge amount of mail about our edition of The Last Emperor, specifically about the aspect ratio, which is 2:1. Some people seem to believe that we’ve lost our minds, forsaken our mission, and taken it upon ourselves...

Dec 30, 2008 — It’s the last day of 2008, and all the balloting is finally done. Here’s a rundown of how Criterion rated in the best DVDs of the year polls: The Sight & Sound list included Criterion’s “gripping morality tale” Death of...

Feb 18, 2026 — Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.

Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.

Apr 14, 2025 — This month’s programming brings seaside thrills and white-knuckle tension, noir classics from a politically repressive era in American history, early gems from Kathryn Bigelow, and guest-curated picks from Spike Lee.

May 30, 2025 — The week wraps with an overlooked gem starring Jamie Lee Curtis, a new issue of Cineaste, and conversations with Lisa Lu and Takashi Miike.

Jul 23, 2024 — Chen Kaige’s sweeping epic chronicles the history of twentieth-century China through the story of two childhood friends, contrasting the unchanging traditions of their Beijing-opera milieu with the nation’s swift and turbulent transformation.