The Criterion Collection
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
The Daily
Aug 12, 2024 — Featuring a new restoration of The Spook Who Sat by the Door, the series includes films by Renoir, Tarkovsky, and Edward Yang.
Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.
Jul 16, 2018 — The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.
Jun 30, 2026 — The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...
On the Channel
Dec 29, 2020 — Channel Calendars The stars are aligned for the first month of the New Year on the Criterion Channel. We’re pleased to be kicking off 2021 with a tribute to Jane Fonda, whose greatest hits reflect her multifaceted career as a political activist...
Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.