The Criterion Collection
Jul 14, 2009 — Tough title to live up to. The lofty three-word phrase Al Reinert chose for his 1989 documentary on the Apollo space program comes from the plaque the first men on the moon, Neil Armstrong and Buzz Aldrin, left there in...
Features
Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.
Sep 19, 2023 — Franz Kafka’s The Trial, the unfinished tale of a man living under arrest and prosecution for an unspecified offense, is perhaps the iconic author’s most paradigmatic text. Following its posthumous publication in 1925, and its translation into English by Willa...
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Jan 25, 2019 — This week features major new resource on The Magnificent Ambersons, Godard’s allusions, and Ilya Khrzhanovsky’s multimedia extravaganza.
May 18, 2017 — “Like a Judd Apatow thriller or a Michael Haneke kids flick, the concept of a Claire Denis comedy at first sounds like a contradiction in terms,” begins Jordan Mintzer in the Hollywood Reporter. “After all, the 71-year-old French auteur, whose...
Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.
May 26, 2008 — Though producer Alexander Korda’s adventure movie forms part of a continued tradition of representing the East by purposefully occluding the reality of it, it celebrates the Arabian fantasy as a site of childlike wonder.