The Criterion Collection
Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.
May 31, 2016 — With Alice in the Cites, Wim Wenders created one of the most nuanced and complex portraits of an empowered young girl ever seen on-screen.
The Daily
Aug 17, 2021 — This month we’re reading about Hollywood memoirs, cultural histories, and the revived debate over the screenplay for Last Year at Marienbad.
The Daily
May 22, 2019 — Most critics won’t allow a comically absurd premise or a convoluted plot stand in the way of a good time.
Essays
Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...
Essays
Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.
Oct 24, 2013 — In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...
Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...
Essays
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...
The Daily
Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.