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Apr 8, 2016 Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

March Books

The Daily

Mar 17, 2025 Headlining this month’s roundup are Joan Didion, Merle Oberon, and Charlie Chaplin.

Jul 15, 2014 Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.

Apr 9, 2013 David Cronenberg and William S. Burroughs: it was a meeting of the mutant minds years in the making.

Michael Lennick, 1952–2014

Production Notes

Nov 13, 2014 Michael Lennick, visual effects supervisor, writer, filmmaker, self described sci-fi geek, and friend of the Criterion Collection, died last week in Toronto. Early in his career, Michael created special video effects for David Cronenberg’s films Videodrome and The Dead Zone....

Feb 22, 2009 “If there’s such a thing as an ideal time of day to expose yourself to the deranging, hallucinatory visions of the Canadian filmmaker David Cronenberg, midnight might well be it,” writes critic and Criterion contributor Terrence Rafferty in a terrific...

Jun 25, 2012 For this Edinburgh-based writer and filmmaker, Hitchcock’s Scottish caper is both fantasy and reality.

Oct 26, 2022 Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...

Jun 14, 2010 All writing is travel writing, the axiom goes. And for Jim Jarmusch, perhaps more than any other filmmaker working today, all movies are travel movies. It’s not a slight to call him the epitome of the filmmaker as tourist. In...

Mar 24, 2025 At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.

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