The Criterion Collection
Jun 22, 2016 — In honor of the semicentennial anniversary of Kartemquin Films, the influential documentarian discusses his groundbreaking, Kartemquin-produced 1994 film Hoop Dreams, what his work with the company has meant for him, and how Kartemquin has grown over the past fifty years.
Nov 21, 2008 — Adam Yauch is a founding member of the Beastie Boys. Recently he created a new division of his company Oscilloscope Laboratories called Oscilloscope Pictures (oscilloscopepictures.com) for the sole purpose of distributing films. He even hired two guys from ThinkFilm to...
Nov 20, 2008 — Neil LaBute, director of In the Company of Men, Your Friends and Neighbors, and Nurse Betty, has contributed supplemental interviews to two Criterion DVD editions: Mike Leigh’s Naked and Eric Rohmer’s Love in the Afternoon, the latter available in our...
Nov 6, 2006 — The New York Times ran a really nice piece about the Janus box this morning. It started on the front page of the Arts section and jumped to another half page inside. It featured big pictures from M, L'Avventura, Seven...
Dec 7, 2006 — Almost exactly twelve years ago, we were fervently working on the launch of a big website with tons of content called voyagerco.com. This was in the fall of 1994, and if you're wondering how long ago that was in web...
On the Channel
Aug 19, 2025 — This month’s programming celebrates the centenary of the great American filmmaker Robert Altman, the career of Oscar-winning actor Jodie Foster, and much more.
On the Channel
Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.
Jun 27, 2024 — At their best, movies that showcase a sizable collective of virtuosic actors can give you the feeling of a rich ecosystem being brought to life.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.