The Criterion Collection
The comedian, actor, and author reflects on what Alex Cox’s Walker has to say about American history, talks about the subtle depth of Two-Lane Blacktop, and praises performances by Peter Falk and Walter Matthau.
The comedian, actor, and writer recalls wearing out videotapes of Mothra vs. Godzilla; praises Sound of Metal and its star, Riz Ahmed; and talks about the power and importance of seeing love between two Asian men depicted on-screen in Happy...
The comedian, actor, and director talks about loving the relatable weirdness of Grey Gardens and the compulsive passion of Crumb; praises Miranda July’s singular, offbeat voice; and shares how The 400 Blows (a Natasha Lyonne recommendation) evokes empathy for the...
The comedian talks about Andy Griffith’s electric performance in A Face in the Crowd, the depiction of childhood loneliness in Me and You and Everyone We Know, and favorite films such as Bringing Up Baby and Menace II Society.
The comedian, actor, and podcaster picks up a couple of classic westerns, a favorite movie that has long eluded his comprehension, and a John Waters film he considers “one of the only weapons against fascism we have.”
The Daily
May 19, 2021 — The actor, writer, and talk show regular will be remembered as an “uncommonly intense and all-around uncommon performer.”
Features
Oct 3, 2019 — By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...
The Daily
Jun 12, 2019 — Some of the best new independent films of the past year are lined up for the eleventh edition.
The Daily
Dec 27, 2017 — It’s been a while since we gathered news of projects in the works, but even as announcements started thinning as the holidays approached, a few of them are well worth noting in a quick roundup here. For example, Josh and...
Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.