Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.

Dec 13, 2021 — Chilean writer-director-producer Pablo Larraín’s features include Fuga (2006); Tony Manero (2008); Post Mortem (2010); No (2012), which won Best Film in the Directors’ Fortnight at the Cannes Film Festival and was nominated for the Best Foreign Language Film Academy Award;...

Craig D. Lindsey is a Houston-based writer and critic. He was the film critic for the Raleigh News & Observer and has written about film for the Village Voice, the A.V. Club, the Guardian, the Nashville Scene, Crooked Marquee, RogerEbert.com,...

Benjamin Mercer is a senior editor at the Criterion Collection. He has written for the A.V. Club, the Village Voice, Reverse Shot, and the Henry James Review, among other publications.

Apr 27, 2017 — In his latest film, director Daniel Raim explores the legacy of two Hollywood veterans whose highly influential six-decade career has long gone unsung.

Apr 19, 2022 — Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Nov 19, 2019 — Contributors to RogerEbert.com and the A.V. Club as well as Time’s Stephanie Zacharek and more pick their favorite films of the decade.

Aug 5, 2025 — From Grosse Pointe Blank to Singles to Trainspotting, some of the decade’s most memorable fusions of music and cinema brought underground culture to new heights of pop consciousness.

Nov 23, 2022 — In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.

Feb 11, 2021 — The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...