Jan 21, 2018 — “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebiri in the Village Voice. “Pretty much the whole film...

Oct 27, 2022 — Take a stroll down some of film noir’s darkest alleys with our Fox Noir collection and tributes to genre stars John Garfield and Veronica Lake.

Sep 27, 2022 — Darius Marder’s Oscar-nominated drama captures the isolation and despair of a man who suddenly goes deaf and struggles in vain to regain his former life.

Feb 12, 2019 — The competition is struggling as China yanks one film and theater owners threaten another.

Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.

Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Jul 18, 2016 — Criterion’s resident researcher and web producer takes a trip to Madrid bookstore Ocho y Medio, which she calls “a shrine to Spanish contributions to the seventh art.”

Aug 11, 2008 — Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...

Oct 24, 2024 — The director of such classic political docudramas as On the Bowery and Come Back, Africa defied the conventions of nonfiction filmmaking with his innovative approach to collaboration and performance.

Jan 31, 2022 — Movies are about looking, and no one involved in the making of a film is more directly responsible for the frames we look at than a cinematographer, or director of photography. Together with the director, the cinematographer shapes the visual...