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Watch Now On The Criterion Channel

Feb 18, 2020 In what was no doubt an appeal to subtitle-averse audiences, advertisements for the U.S. release of Teorema (1968) trumpeted, “There are only 923 words spoken in Teorema—but it says everything!” A meager few of those utterances are expended in an...

Sep 26, 2024 Steeped in Catholic guilt and erotic tension, Guiraudie’s eighth feature draws comparisons with Pasolini’s Teorema.

Jun 27, 2023 With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.

Dec 17, 2025 This January, savor multiple levels of nostalgia with a survey of ’90s cinema’s riffs on the ’70s, or turn a new page with a collection of films about dreamers seeking fresh starts in life.

Aug 13, 2024 This month brings riveting courtroom dramas, New American Cinema classics, giallo shockers, pre-Code gems by women screenwriters, and a new episode of Adventures in Moviegoing.

Feb 24, 2022 Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

May 26, 2021 Channel Calendars Next month, the Criterion Channel celebrates Pride Month with a host of extraordinary queer-themed films, including a new installment of our Queersighted series focusing on taboo-breaking artists, a trio of outré underground classics from John Waters, and a restrospective...

Mar 29, 2021 Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...

Seoul After Dark

The Daily

Feb 5, 2026 Bong Joon Ho, Park Chan-wook, and Hong Sangsoo select films to screen in a series celebrating the Korean Film Archive.

Aug 20, 2025 He locked eyes with audiences in films by Pasolini, Soderbergh, Frears, Stephen Elliott, and Edgar Wright.

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