The Criterion Collection
Sep 4, 2020 — Amy Seimetz is a filmmaker and actor. In 2012, she released her directorial debut feature, Sun Don’t Shine. Her latest feature film as a director is the acclaimed She Dies Tomorrow, which is now available on most VOD platforms. Seimetz...
The Daily
Jul 2, 2025 — Pavements and Videoheaven take us back thirty-odd years, but neither film is merely a nostalgia trip.
The Daily
Jul 14, 2023 — This week, we’re reading conversations with Cheryl Dunye, Christian Petzold, and Whit Stillman.
The Daily
Mar 16, 2023 — While the competition juries have their say, critics spotlight a few favorites from the gala premieres.
The Daily
Mar 22, 2019 — This week spotlights George Cukor, Chantal Akerman, Straub-Huillet, Antonioni, and the feud between Clint Eastwood and Pauline Kael.
The Daily
Mar 13, 2019 — Women’s stories are central to five of the six top prize winners.
Apr 17, 2018 — “Almost every Steven Spielberg movie has its antecedent in a TV show, a movie serial or a comic book,” wrote Michael Sragow when he spoke with Spielberg for Rolling Stone in 1981. “The one he feels [Raiders of the Lost...
The Daily
Feb 20, 2018 — David Bordwell has revisited The Donovan Affair (1929), “Columbia’s first all-talking picture, and Frank Capra’s as well.” It’s “an unusually fluid early talkie” and studying it teaches us “some things about those transitional years 1928-1932, when filmmakers were figuring out...
The Daily
Feb 18, 2018 — “Nymphetmania has a long and hoary pedigree in Hollywood, and flourished years before Nabokov gave us the Lolita syndrome,” writes Molly Haskell in the Guardian. “D. W. Griffith’s child-woman ingénues such as Lillian Gish and Mae Marsh were ‘pseudo-nymphets’ (critic...
The Daily
Feb 16, 2018 — “The responsibility of being a gay film critic,” writes Michael Koresky, “to borrow a phrase from the great Robin Wood, is to be honest about your responses as an individualized viewer, and to balance questions around identity with a film’s...