The Criterion Collection
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Jun 18, 2026 — Over the course of his first three documentaries—Helvetica (2007), Objectified (2009), and Urbanized (2011)—Gary Hustwit established a clean and clear cinematic language that he used to describe the complex and often contradictory systems of thinking that designers use to shape...
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
May 22, 2015 — A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
Features
Jul 31, 2017 — What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.
Oct 24, 2011 — “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...