The Criterion Collection
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
Criterion Designs
Aug 7, 2019 — Studio Visits Brooklyn native Danielle Mastrion draws a great deal of inspiration from the city that she calls home—and also often uses it as her canvas. A socially conscious, classically trained painter who taught herself to work in aerosol, Mastrion...
Features
May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.
Jun 15, 2021 — These landmark documentary portraits of intergenerational struggle in Seattle expose social horrors while also revealing the humanity of their subjects.
Jan 25, 2009 — Conventional wisdom once held that any European film worth seeing passed through the New York Film Festival. Still, when I first began reviewing movies for the Village Voice in the late seventies, there were some legendary exceptions: Tarkovsky’s The Mirror,...
The Daily
Sep 17, 2017 — The Toronto International Film Festival has a single competitive program, Platform, now in its third year. This year, jurors Chen Kaige, Małgorzata Szumowska, and Wim Wenders have awarded the Toronto Platform Prize (25,000 Canadian dollars) to Warwick Thornton’s Sweet Country,...
Features
Apr 18, 2025 — When Mayor John Lindsay made it easier for filmmakers to shoot on location in New York City, he paved the way for a string of movies that captured the troubled metropolis in the late sixties and early seventies.
Essays
Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.
Nov 11, 2015 — Michael Haneke’s 2000 drama Code Unknown is a formalist masterwork—its narrative, about a group of characters whose lives become entwined by an incident on the streets of Paris, unfolding almost entirely within a series of single-take vignettes. Our DVD and...
Mar 9, 2012 — The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.