The Criterion Collection
Essays
Nov 15, 2004 — Short Cuts is an L.A. jazz rhapsody that represents Robert Altman at an all-time personal peak—and it came at just the right time in his career.
Production Notes
Nov 23, 2006 — I first met Robert Altman in person in 1999, when I was producing a series of video introductions featuring contemporary directors discussing their favorite Janus films. Altman was the first Criterion director to respond to our request. We had sent...
The writer and director reminisces about seeing Short Cuts at the Venice Film Festival, selects Merry Christmas Mr. Lawrence out of love for Ryuichi Sakamoto, and takes home the one Stanley Kubrick film he hasn’t see.
The Daily
Jul 26, 2023 — Anime, family drama, Roman Porno: New York’s Japan Society presents a wide-ranging showcase of recent Japanese cinema.
The Daily
Aug 8, 2025 — This week: Edward Yang, Kiyoshi Kurosawa, and alternative lists of the best films of the twenty-first century.
The Daily
Jul 31, 2025 — Series celebrating a giant of American cinema are on in Boston, Chicago, Berkeley, and Los Angeles.
The Daily
Jun 26, 2025 — This is the season for catching 35 mm and 70 mm prints of classics and rarities.
The Daily
Aug 18, 2022 — This week’s announcements from Toronto and New York promise tantalizing world premieres and other highlights of the season.
The Daily
May 13, 2022 — It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.
Sep 22, 2020 — Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...