Nov 21, 2017 — Ernst Lubitsch’s “world is defined by time as much as place,” writes Daniel Witkin in the latest entry in Reverse Shot’s symposium on time. “Anachronistically straddling the 19th and 20th centuries, his characters embody unfashionable virtues of discretion and tact...

Nov 22, 2022 — Spike Lee’s transcendent portrait of an American hero is an urgent call for the nation to live up to everything it claims to be.

Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

Jan 8, 2025 — We’re looking forward to new work from Richard Linklater, Bong Joon Ho, Kelly Reichardt, Christian Petzold, Chloé Zhao, Sebastián Lelio, and many other filmmakers.

May 7, 2021 — Critics celebrate the new 4K restoration of The Story of a Three Day Pass (1968).

Dec 4, 2017 — Aafter talking with Robert Pattinson about his eagerness to work with Josh and Benny Safdie on Good Time and with James Gray on The Lost City of Z, IndieWire’s Chris O’Falt has gotten the actor to chat a bit about...

Nov 28, 2017 — Ahead of the Christmas Day opening, preview screenings of Paul Thomas Anderson’s Phantom Thread in New York and Los Angeles began over the weekend and will continue through Thursday. Variety’s Kristopher Tapley suggests that “if you define a film as...

Nov 13, 2017 — Angela Watercutter’s interview with Steven Soderbergh is actually a sidebar to her piece for Wired on the making of Mosaic—not the browser that put the World Wide Web in the global spotlight back in 1993, but the iOS app that...

Jun 21, 2012 — The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...

Jun 30, 2025 — An up-and-coming director reflects on the resourcefulness and scrappy ingenuity that went into making his three films, now playing on the Criterion Channel.