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Apr 1, 2019 The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.

Aug 13, 2024 In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

Aug 27, 2026 The illuminating 1982 documentary I Heard It Through the Grapevine follows the celebrated author on a journey through the American South, as he attempts to reckon with the legacy and losses of the civil rights movement.

Aug 19, 2026 This month’s highlights include a retrospective dedicated to the always-provocative Abel Ferrara, the classic series Neon Genesis Evangelion, and a collection of high-energy tales of female rockers.

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jun 17, 2026 Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...

May 14, 2026 Channel Calendars This month on the Criterion Channel, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals...

Feb 18, 2026 Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.

Dec 17, 2025 This January, savor multiple levels of nostalgia with a survey of ’90s cinema’s riffs on the ’70s, or turn a new page with a collection of films about dreamers seeking fresh starts in life.

Oct 27, 2025 The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.

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