Mar 17, 2008 — Francesco Rosi’s film is a painstakingly documented reconstruction of the nefarious relationships between the Mafia, banditry, and economic and political power in Sicily between 1943 and 1950.

Enno Patalas founded Filmkritik magazine in 1957. From 1972 to 1994, he served as director of the Munich Filmmuseum, where he was instrumental in the reconstruction of several classic films. His most recent books are Alfred Hitchcock and Metropolis in...

Marsha Kinder, professor emerita of critical studies at the University of Southern California, is the author of Blood Cinema: The Reconstruction of National Identity in Spain and the editor of Refiguring Spain, Luis Buñuel’s “The Discreet Charm of the Bourgeoisie,”...

Feb 6, 2026 — There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.

Mar 3, 2023 — The reconstruction and preservation of history are crucial elements of all of this week’s stories.

Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.

May 19, 2023 — In her feature debut, Cette maison, the Haitian Canadian filmmaker develops an ornate and innovative approach to documentary form as she grapples with a painful part of her family history.

Oct 7, 2020 — Martin Scorsese’s World Cinema Project No. 3 Spanning almost fifty years and four continents, Criterion’s recently released third collection of films restored by The Film Foundation’s World Cinema Project is a treasure trove of discoveries, each illuminated by a unique...

Dec 3, 2019 — Performances If there was one mother-daughter television date my busy mum was always willing to down tools for, it was a Bette Davis movie. Her favorite—and mine, for the preteen period when I gave the thumbs-up to anything my mother...

Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.