The Criterion Collection
Essays
Apr 21, 2009 — “Just takes a few months to get to be a hundred. If you’re in the right place at the right time.” I first saw Henri-Georges Clouzot’s masterpiece The Wages of Fear when the restored version was released in the U.S.,...
Apr 10, 2013 — Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.
Mar 21, 2012 — The famed collaboration between director Mikhail Kalatozov and cinematographer Sergei Urusevsky, which, with its distinctive combination of effective melodrama and a wild, powerful visual style, helped make Kalatozov the most successful Soviet cinematic export of his generation, in fact spanned...
Mar 19, 2024 — One of the first postrevolutionary Iranian films screened and celebrated internationally, Amir Naderi’s autobiographical masterpiece is a lyrical exploration of childhood that showcases the director’s gift for radical simplicity.
Jan 22, 2026 — A singular achievement in Arab film history, Mohammed Lakhdar-Hamina’s sweeping political epic is a memorial to the lives lost in the struggle for Algerian independence.
The Daily
Jun 3, 2019 — Wisdom from the Pope of Trash, the making of Raging Bull and The Wild Bunch, and studies of Tarkovsky and the Berlin School all figure in this month’s round.
On the Channel
Jun 17, 2026 — Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...
Jul 24, 2025 — Directed by Jack Bond, It Couldn’t Happen Here is a strange and compelling document of the synth-pop duo at the height of their success, as well as a darkly absurdist send-up of provincial England in the Thatcher era.
On the Channel
Oct 27, 2022 — Take a stroll down some of film noir’s darkest alleys with our Fox Noir collection and tributes to genre stars John Garfield and Veronica Lake.
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.