May 17, 2013 — Did You See This?• Noah Baumbach talks Frances Ha. • Richard Linklater goes back to Before. • Far from Heaven is stage-bound. • How to make an American quilt—from celluloid • New films on the horizon from Bellocchio, Greenaway, Hartley,...

Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Apr 15, 2019 — It’s one thing to have wild cinematic ambitions, and quite another to pursue them without a strong technical skill set and years of apprenticeship in the craft. But from the beginning of his career, the twenty-nine-year-old, mostly self-taught filmmaker Bi...

Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Apr 30, 2020 — Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.

Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...

Sep 6, 2019 — In Nang, young writers celebrate Asian cinema in honor of Alexis Tioseco and Nika Bohinc, and new issues of other titles offer fresh reviews and interviews.

Oct 19, 2017 — Even as we mourn the loss of Danielle Darrieux, we need to remember a few more names and faces that have left their marks on cinema, and we begin with French actor Jean Rochefort. “I am absolutely stunned,” writes Terry...

May 14, 2017 — Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.

Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.