Apr 30, 2024 — John Carpenter is an award-winning writer, director, and composer. Born in Kentucky, he studied film at the University of Southern California before making Dark Star and Assault on Precinct 13. An internationally renowned master of the horror genre, Carpenter spawned...

Sep 18, 2025 — This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.

Sep 29, 2022 — This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.

Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...

Oct 26, 2017 — New York. A new restoration of Hou Hsiao-hsien’s Daughter of the Nile (1987) opens at the Quad tomorrow. In the New York Times, J. Hoberman notes that it was “produced by a music company as a vehicle for the Taiwanese...

Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...

Oct 26, 2022 — The ’80s Horror collection now playing on the Criterion Channel brings together some of my favorite films from a time when the horror genre took on strange and thrilling new forms. When I began programming it, my thoughts drifted back...

Feb 28, 2023 — One of the towering figures of postwar French literature, Marguerite Duras was also an innovative filmmaker whose rarefied cinematic style dared audiences to see less and listen more.

Apr 24, 2000 — “Most of Aesop’s fables have many different levels and meanings. There are those who make myths of them by choosing some feature that fits in well with the fable. But for most of the fables this is only the first...

Sep 24, 2014 — Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.