The Criterion Collection
Feb 12, 2020 — If you were born in Mexico City in the second half of the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...
Apr 22, 2026 — “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...
The Daily
May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.
The Daily
May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.
The Daily
Mar 10, 2025 — The Museum of the Moving Image’s annual showcase of “adventurous new cinema” is on from Wednesday through Sunday.
Feb 12, 2024 — Bob Young worked with Michael Roemer on Nothing but a Man and directed ¡Alambrista! and The Ballad of Gregorio Cortez.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Essays
May 6, 2014 — This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.
Jan 26, 2010 — If Paris, Texas is a love letter to America and American cinema, it now also has something of the feel of a farewell: the world to which Wenders pays homage is vanishing fast.
Essays
Feb 23, 2004 — With his drama about a Sicilian bandit, Francesco Rosi developed the style and method that would make him, during the sixties and seventies, the greatest political filmmaker of his time.