The Criterion Collection
The Daily
Jan 17, 2018 — “My appreciation for his inspiring and innovative cinema grows deeper as the years go by,” writes Mehrnaz Saeed-Vafa in an essay that Jonathan Rosenbaum’s posted on his site, “Reflections on Kiarostami’s Two-Way Mirrors.” A new and expanded edition of their...
Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in Swedish Film—in which Widerberg...
The Daily
Jun 16, 2017 — The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...
Essays
Mar 15, 2011 — In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.
Oct 1, 2017 — “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...
Aug 7, 2025 — After wildly successful stops in multiple cities across the U.S., we’re taking the Mobile Closet outside the country for the first time this September.
The Daily
Feb 23, 2026 — Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.
Sep 8, 2025 — After wildly successful stops in multiple cities across the United States and, most recently, in Toronto at TIFF, we’re making a trip to Chicago!
Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.
Mar 30, 2021 — Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.