The Criterion Collection
Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.
May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.
The Daily
Apr 14, 2022 — The seventy-fifth edition will present new work from Claire Denis, David Cronenberg, Kelly Reichardt, and Hirokazu Kore-eda.
The Daily
Feb 6, 2026 — There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.
The Daily
Jun 23, 2022 — Along with celebrations of Dario Argento and George A. Romero, the season brings a series of more than a hundred nightmares.
May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...
Jul 2, 2024 — Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.
Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.