May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.

Apr 14, 2025 — This month’s programming brings seaside thrills and white-knuckle tension, noir classics from a politically repressive era in American history, early gems from Kathryn Bigelow, and guest-curated picks from Spike Lee.

Jan 27, 2022 — We’re celebrating Black History Month with tributes to trailblazing artists like Harry Belafonte, Melvin Van Peebles, and documentary master Stanley Nelson.

Apr 28, 2021 — Channel Calendars Next month, the Criterion Channel celebrates independent, pathbreaking, and underappreciated artists. We’ve got a retrospective devoted to Gena Rowlands (pictured), the indie-film legend whose acting blurred the line between life and performance; a centenary tribute to the great...

Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.

Apr 26, 2023 — The activist, singer, and actor dealt with stardom on his own terms.

Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.

Apr 16, 2019 — In a Lonely Place (1950), screening Friday at MoMA, and The Big Heat (1953), featured on the Criterion Channel, score high on Slant’s list of top noirs.

Apr 12, 2011 — After Army of Shadows, Melville and I stayed in touch . . . One day, he announced: “I’m going to make a new film. You’re not composing the score for it; I’ve contacted Michel Legrand . . .” Of course, I was disappointed....