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Watch Now On The Criterion Channel

Jan 9, 2020 The UCLA Film & Television Archive presents a series of films bearing aesthetic and political similarities to the Italian neorealist classics of the late 1940s.

Mar 21, 2019 “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...

Aug 18, 2011 Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...

Aug 6, 2024 Seventeen features are lined up to compete for the top prize in Locarno.

Jun 14, 2016 Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.

Apr 2, 2017 What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

Sep 28, 2015 Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

Jun 25, 2012 For this Edinburgh-based writer and filmmaker, Hitchcock’s Scottish caper is both fantasy and reality.

Murderers Among Us

On the Channel

Nov 3, 2016 Our first Friday Night Double Feature on the Criterion Channel pairs two chilling serial-killer films: Fritz Lang’s M and Jonathan Demme’s The Silence of the Lambs.

Nov 17, 2021 Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

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