Apr 18, 2018 — First up, some festival news. Joining Cate Blanchett, who’ll be presiding over the Jury of the seventy-first Cannes Film Festival (May 8 through 19), will be Chang Chen, who made his acting debut in Edward Yang’s A Brighter Summer Day...

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Nov 11, 2008 — Groundbreaking modernist artist Paul Strand (1890–1976) might have been better known for his photography than his filmmaking, but the two films he directed are both extraordinary testaments to his brilliance. The first, his silent 1921 avant-garde masterpiece Manhatta, a luminous...

Apr 28, 2023 — This week’s highlights whiplash from a vibrant club scene to the chaotic final days of the Ceaușescu regime, hitting several disparate points in between.

Jun 8, 2017 — Repertory Picks Next Wednesday evening, moviegoers across the pond will have a chance to take in Terry Gilliam’s 1991 The Fisher King, the first entry in a monthly screening series at London’s historic Regent Street Cinema cosponsored by Criterion. After...

Jun 15, 2017 — Repertory PicksEvery day this weekend, on New York City’s Lower East Side, the Metrograph will give moviegoers the chance to see Todd Haynes’s 1995 film Safe in a 35 mm print. An elliptical drama suffused with existential dread, Safe revolves...

Nov 23, 2022 — In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.

Mar 8, 2021 — Son of avant-garde filmmaker Ken Jacobs, Azazel Jacobs was raised in lower Manhattan surrounded by artists. He received his bachelor’s degree in film from SUNY Purchase and his master’s from the American Film Institute. His credits include The Good Times...

Mar 16, 2018 — Martin Scorsese talks with critic Kent Jones about some of the techniques that helped bring the film’s depiction of Gilded Age Manhattan to life.

Apr 21, 2009 — Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being selected to represent France at...